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Both are solid matte, no sparkle. The difference is weight. The 9gsm is so light it practically floats — perfect for that airy cloud-like overlay, or layering several pieces without adding weight. This 22gsm has more body. It's still sheer but easier to handle, less likely to fly around when you sew. Want ultra-light and floaty? Go 9gsm. Want sheer with a bit more control? Go 22gsm. Not sure? We'll send swatches of both — you'll know the moment you feel them.
It's still very much on the thin side. Hold it up to the light and it's nicely sheer — just with a bit more body than the ultra-light versions. For a gown overlay it's great: transparent enough to show the layers beneath, but with enough weight to drape beautifully instead of clinging.
Not at all. It's a solid matte, which a lot of designers actually seek out specifically for embroidery or rhinestone work — the quiet background doesn't compete with the embellishment. It has a soft, almost cloud-like surface that reads elegant rather than flat. If you need sparkle, we also have metallic versions at 12gsm, 15gsm, and 22gsm.
Pretty good. At 22gsm it's heavier than our 9gsm, so naturally one kilo doesn't stretch as far. But 28 yards per kilo is solid for this weight class. And at 63 inches wide, you get generous coverage without piecing — saves labor and material. If you want a nice balance of cost and easy handling, this 22gsm is a practical pick.
Yeah. Same series — we also have a lighter 9gsm and some heavier builds. Whether your customer is doing spring-summer or fall-winter, we can set you up. Same series means consistent hand feel and color performance, so the end customer won't have to adjust to new fabric behavior. Grab a few swatches, put them side by side, and the differences are clear right away.